Soundlight painted absence ( Plurence )

"The creation of non-existence through the absentine"

This is the process by which Soundlight or other virtual spaces are used to create things that aren't easily accessible without the risks involved or the requirements of material and objective needs, such that they use space to devise the  things not completely present in a simple or artificial manner.

Thus they create virtual realities and are less about the objective principle of the formation of these things, but more of the form and the unlimited space behind the seal of time, such that they create technology not yet available through other means less real but still existent in some manner.

They also pursue the idea of more knowledge and the ascension of our abilities towards those emulated things.

Thus they create that manner of ability not prevalent or not yet present in the surreal realm outside that place that is its essential portion, creating that path towards that future point of time and future manipulation and utility for reality.

They do this through the concept of going outside the box and the concept of plotting decent of futures unseen, such that they create novelty outside what is known today and bring it back to the base of the earth they are situated in.

The two processes used are thinking of things not possible:

"I can fly through mental space in physical body!"

And then try to get to that point of existence, even while appearing as absurd as can be. Yet the Pluraler knows he can fly mentally in his mind and can fly physically, he does not know how to attain that latter concept of both in turn.

This will not be answered on this post, because the degrees of distance is absurd compared to the knowledge I have attained.

What I can say, is that the process is possible, as once the concepts here on this blog, were dreams of another blog before it. Such as the shape shifting ability. So the abilities do grow from what we do not think is possible.

But it is hard to say what is outside the box , without looking, so I can be frightful to face that dilemma. However, we will use this post to describe what we will do next.

Note that this is also what I do.

Further ability:

We will combine the knowledge base of these four things and take it to another level, through which we will access greater ability then what is known today in these things.

To begin we will create a mixture of the four things virtually and share it here after it is completed, using soundlight.

Thus I will return in some time, with the results of this experiment.

Pharath's study of the Plurence:

Pharath spent his time alone trying to go beyond the concepts his friends had worked on, thus he took consideration of each to provide some greater use out of their basic concepts, he took:

• The Limit breaking
  
• The Property study
  
• The art of images
  

and he applied them together to create the idea of New substances which could relate to other concepts later, thus he would use his motion drawing to ascertain new properties and then attempt to describe how one could make them advancely.
Then he would find some manner of use for them in both physical and subjective and apply safety concerns to himself and his friends.
Thus he went about his work, drawing four substances:

In order:

1. Whispwater
   
2. Beehoney
   
3. Recrystal
   
4. Vibraputty
   

Each has a property, described below:

1. A fluid that hovers and wisps about
   
2. A syrup that retains its colour texture while changing form
   
3. A crystal that remains solid, but can be reconfigured
   
4. A putty that vibrates while touched and manipulated
   

It is quite uncertain how to make these substances, because they seem to defy natural physical property, thus Pharath has to think constructively on how to build them basically in a longer and shorter manner. So he gives it a shot:

1. Could be made with small drones that contain water and emit it and swarm about in the air ( or myst could work )
   
2. A strange mix of clear syrup and lighting could make the essential ability, ( or a well controlled flow of different coloured syrups )
   
3. A sticky crystal made of special glue ( a magnet )
   
4. Small vibrating drones in the putty, which vibrate on contact, (plenty of poppable bubbles in the putty)
   

He concludes it was easier then he thought, but thinks that he should now find a way to build them for a use, rather then solely for show and tell.
Thus he thinks of some utility, one in physicality ( technological creation ) and one in perception ( subjective interpretation )

They could be used as such:

1. Magical effect and smoke art
2. Syrupal hologram and crystal ball
3. Electrical modulars and toy configure
4. Multiuse massage and vibrational music

And as an extra use:

Syrupal modular massage relaxer:
A massage and refreshing or relaxing tool that has both beauty and optional effect.
Vibrational configuring divinating smoker:
A vibrational personalisable , divination and productive tool.

But Pharath doesn't have the required things, so next time he will make similar concepts to both.

However he will now run through some safety precautions:

1. Sugu should be cautious with certain sprays, they can have consequence, such as being cautious with what actually needs to be improved.
2. Hilisa should be cautious when playing with fire or other dangerous substances. She could get hurt.
3. Vane should try his best to avoid designing weapons, without resolving the danger. Such as shielding.
4. Pharath himself should be cautious with new substances for reasons that are obvious, they could potentially cause harm.

Thus Pharath concluded his experiments and finished for the day, planning to work on actual technologies tomorrow!